While the actors get in their costumes, I do the last light corrections with Mark Warnecke, my gaffer. It´s just final touches, we planned everything long ago in prep and made the appropriate lighting tests. My goal was to create a “film noir” syling here, so we use just a few units: A 5 K, a 2K through the cells grid roof, some Kinoflos for the inside, another 2K with full CTO as the sun trough the cell´s window. In front of the window a huge greenscreen lit by some 800W open face Arris. This will later be replaced by an artificial sky greated by the Light Works Guys in CGI. Dennis Kron, our special effects expert arrives. He´s needed later for some takes wit6h Dietrich. Unfortunately, although he came with his big truck full of interesting pyro stuff, we only need him for some minor effects today.