Now it´s getting complicated again. We set up for a dolly shot on Didi. The camera will move in on him as he turns and removes his helmet. This is going to be hard for Jens, the focus puller again, because the cam´s iris is wide open and we move quite fast. I´m thinking of shooting it reverse and reverse it later in postproduction again, but it doesn´t feel right somehow. I fear it will look awkward in the film later and decide against it. As a result, we have do do the take about 30 times until it´s done. As far as I know, this is not THAT bad, Kubrick would have done 60 takes or so.