We did it. The crane goes into several cases again, we prep for a greenscreen shot. Actually, I envisioned a scene with Didi UNDER that greenscreen, to later remove the sky and replace it with something else, but that proves to be impossible time wise. I decide to go for a different approach and hope this will work, too. The greenscreen is set up BEHIND the actor. It´s a Steadicam semicircle move around Didi. Everything goes well. Ready for the last shot of the day.